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Daily dialogue — August 14, 2008

“So I went to her school for that grade. Grade – that’s grade twelve. And we meet. She was… fucking like a doll. A beautiful porcelain doll. And the hips, child-bearing hips, you know that? So, so beautiful. And I cheated on her… over and over and over again. Because I wanted to be a man. And I didn’t want her to be a woman, you know? A smart, free person who was something! My fucking mind then. So stupid, that fucking mind! Stupid! Jesus Christ! What would I think, did I think for what I’d done? She was my wife for twenty-three years… and I went behind her over and over. Fucking asshole that I am. I’d go out and I’d fuck and I’d come home and get in her bed… and say…”I love you.” This is Jack’s mother. His mother, Lily. These two… that I had… and I lost. This is the regret that you make. This is the… regret that you make and the something you take and the blah, blah, blah, something, something. Gimme a cigarette. Mistakes like this… you don’t make. Sometimes… you make some and OK. Not OK, sometimes, you make other ones. Know that you should do better. I loved Lily. I cheated on her. She was my wife for twenty-three years. And I have a son. And she has cancer. And I’m not there, and he’s forced to take care of her. He’s fourteen years old. To… to take care of his mother… and watch her die on him. A little kid, and I’m not there. And she does die.”

– Earl Partridge (Jason Robards), Magnolia (1999), written by Paul Thomas Anderson

[youtube=http://www.youtube.com/watch?v=zwXDHSrNFbQ]

2 thoughts on “Daily dialogue — August 14, 2008

  1. Sooooooooooo….
    Let me get this straight. The hierarchy of ‘writer’s tasks’ in Hollyweird runs something like this:
    Logline
    Pitch
    Beat sheet
    Treatment
    Outline
    Scriptment
    Screenplay
    Cash the check ;-)
    Curious.

    Regards,
    Mike

  2. Mike, you forgot to mention some other key items in the screenwriting life:

    Canceled lunch meetings

    Groveling with execs, producers, agents

    Waiting for the phone to ring

    Opening the trades to discover you’ve been replaced on your project

    Chemical dependency

    On the more serious side, if you haven’t checked out the set of posts I put up called “How I Write A Script,” you can go here to the 10th post and it has links to all the others. Everyone has their own approach, but that’s more or less what a lot of working screenwriters do.

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