Writers on how they write: John Wray

The Wall Street Journal had a great article a few weeks back: "How to Write a Great Novel", reflections by novelists on how they approach writing. Since the article is subscription only, I'm featuring one writer per day here, highlighting their process with a key excerpt from the article.

Today's writer is John Wray whose novels include "The Right Hand of Sleep" and "Canaan's Tongue."

To write "Lowboy," which takes place in the New York City subway, Brooklyn-based novelist John Wray rode trains all over the city while pecking out a first draft on his laptop computer. He mainly rode the F, C and B trains, though "there was a time when I was really into the G," he says. He often sat in a corner near the conductor's booth with his headphones on. He worked like this, often for six hours a day, for nearly a year.

Initially, he wrote on the train not for research purposes, but to cut himself off from distractions like email and phone calls. Then the people and conversations he observed on the subway began to creep into the book, a novel about a paranoid schizophrenic teenager. One of the characters, a heavy-set homeless woman, is based on a woman Mr. Wray used to see at the Stillwell Avenue stop in Brooklyn. Bits of dialogue he overheard appear verbatim in the novel, including a strange conversation about how prospective homeowners should spend the night in a house before buying it in order to check the property for paranormal activity.

What's the most ambitious thing you've done to connect with the story world about which you've written in a screenplay?