Since we’re beginning a new year, how about if we have a little ‘mixer’ here today and tomorrow – and use this thread as an opportunity for people to introduce themselves. What’s your background as a writer, where do you live, what type of genres do you prefer to work in, that sort of thing.
I know GITS gets a ton of readers who prefer not to comment – which is completely fine – but it’d be nice to learn about more of the folks who visit here.
So come on in! Let us get to know a little bit about you and your interest in screenwriting, TV writing, movies, etc.
Hi, I'm a lurker from Melbourne, Australia. I've been working as a copywriter for the last ten years, but fell in love with screenwriting a couple of years ago. Have now written three comedy screenplays (at various draft stages). Would love to write scripts for a living one day, but am happy enough doing it as a hobby if that never works out.
Love this site – allows me to take a nice break from writing without feeling too guilty as I always feel like I'm learning something when I visit.
I've only been reading GITS for a couple of months and find it much more insightful than most writing blogs.
I'm Chris Hansen, a writer in Texas. I'm not actually FROM Texas, but I have been here for five years and currently run the film and digital media program at Baylor University.
I've written one indie feature and written-and-directed a couple as well. As far as genres – I like writing a variety of things, but I definitely have a very indie mindset in general. My first feature, The Proper Care & Feeding of American Messiah, was a mock doc comedy about a guy who thinks he's a "local, regional messiah," and my second feature, Endings, is a drama about three people who meet on the day that they're all dealing with their impending deaths…
@Luke: I think we may have had an email exchange or two in the past. Wouldn't be surprised. I've come to know lots of writers from Australia through my online courses as well as this blog. I have to say that I think you've got a right proper attitude about screenwriting: You shoot for the stars (i.e., hope to make a living at it), but you enjoy it for what it is in the context of your current life.
@Chris: You can go here to see the IMDB site for "American Messiah." Sounds like a great premise for a satire. The premise for "Endings" sounds intriguing – especially since it raises a question: How do the three people know they're going to die?
Chris, one area I'm going to be focusing on this year is interviewing indie filmmakers, specifically writer-directors, with the hopes that shared information, especially about distribution and marketing, can benefit everyone interested in making their own films. In fact, I'll be kicking off that series with some people with roots in Oklahoma, working with a local film funding entity.
My name is Scott Hite, and I live in scenic & exciting Kalamazoo, Michigan. Until about 5 or 6 years ago, I had no desire to create a screenplay, none whatsoever. At that time, I was building wind-powered pond aerators in my garage.
The first one was purchased by a guy named Jim Glennon in Malibu. He gets the thing and wants to talk to me on the telephone. So I called him and talked about pond stuff and other stuff for a couple hours. During the conversation, I mentioned being a bicycle messenger in SFO and racing a little bit in California. Jim said something like "Oh yeah. I was a cameraman on Breaking Away." So I immediately thought, "Yeah & I'm an astronaut."
So Jim asks what I do other than building wind-powered pond aerators. I tell him that I've recently been fired from a job for allowing my physician to see a videotape of my workplace. And that there was a little problem with some stuff called vermiculite (with asbestos) falling through cracks in the ceiling. (Google "Libby vermiculte" and you'll wonder what's in your attic.)
So Jim says something like, "Oh, that sounds like a good story for a movie." Not wanting to write a screenplay, I responded with, "I don't think so."
I get off the phone and google 'Jim Glennon' and find that he's actually a cinematographer with a bunch of credits to his name. I still didn't want to write a screenplay.
I talked to Jim on the phone a few times and by email a bit. He was really a great guy. The screenplay thing kept nagging at me though. So I decided to take a stab at it. I sent him an email and his response was "Write it, and send it to me."
It took about a month to write. It sucked badly, and I sent it anyways. Jim's response could have crushed any aspirations I would ever have as a screenwriter. Instead he was kind and helpful, urging me to learn the craft and to continue writing.
I got to tell that story at a meeting about one of my recent scripts. Yes, someone is interested in turning something I've written into a movie. It's not the story about vermiculite and being fired for trying to save lives.
Jim Glennon passed away three years ago from complications following surgery. Hopefully, I can continue his legacy of being helpful, supportive and respectful to aspiring screenwriters. Those are big shoes to fill.
That's my story. I enjoy telling it. And it started with a windmill.
hey, i'm alex, i'm 27, a first year MFA-screenwriting candidate at the University of Texas-Austin. i'm looking very strongly at TV and videogame work.
i gravitate toward really dark material. in videogames, i feel like there is an innate tolerance for, and often an expectation of, darker, more pathological characters and situations.("bioshock," "metal gear solid," "grand theft auto," even going back to "wolfenstein 3D".)
a personal goal of mine is to write the first serious video game love story… or to adapt SimCity2000 into a blockbuster a la Battleship.
i fell in love with "entertainment" because of feature films– The Terminator, Space Odyssey, Blade Runner, The Wild Bunch, Dr. Strangelove, Solaris (the original!!!)
I'm really trying to cut back on my internet habit– it seems i surf mostly as a way to avoid *cough* attacking my work! — but this blog has more inspiring tidbits and news and just generally useful screenwriting news/links/information/comments than nearly any other web site i've found.
the idea of "TRUST THE PROCESS" … i love it. i would like to add a corollary to this note: at least, for me, i have to actively engage the process, too. The inner dialog is somewhat like this:
"No, Alex, playing Call of Duty 4 while delaying work on next week's pages is NEITHER industry research NOR part of trusting the process. Get to it, kid."
but, as well, i need time to daydream and walk around and take long hot showers and see other works and just mull and let thoughts bounce where they may.
Anyway, it's nice to meet you all, and scott– thanks for having this blog.
Happy new year.
I'm a writer on the road right now.eescaped from LA for awhile.
spent ten years in Los Angeles studying acting and writing. Worked mostly in a string of the small theaters in hollywood and north hollywood like the raven, the king king, electric lodge, beyond baroque.
I came accross this site tonight because i googled "the story".
I was discussing with a friend the importance of "the story".
my writing is rooted in journalism. and i approach acting as if i'm researching a person for a feature story.
this many years later, i realize that genre, medium aren't the root of the art. The truth is in the story of who i am in relation to my surroundings. my point of view. my voice. it is the kind of writer i am. took along time for me to figure out. thousands of pages of experimenting and i feel like im at the beginning again.
here's to new beginnings.
Hi, I'm James. I am currently residing in georgia. I recently decided that screenwriting is a career choice that I wish to persue. I have written one screenplay and have plenty of ideas for others, but my dream is to become a writer for a canadian production company.
Hey,
My name is Justin and I'm a writer hovering on that membrame between amateur and pro. I got my masters in directing from AFI in December 2005, then flubbed around for a year or two before directing a low-budget action thriller for First Look Studios. I didn't really begin to focus on writing until late 2007. I've been paid to write indies, but am trying desperately to break into the studio system before the distribution model fails and the house comes tumbling down. I wrote a sci-fi spec in 2008 that managed to get me a good manager and an agent at ICM, but haven't yet generated the right piece of material to make that big sale to a studio. Whether that's the writing or the strange state of the spec market I'm not sure, but I'm gunning hard for 2010 to be the year. Only discovered the site towards the beginning of December, but have very much appreciated the optimism of your voice and the focus on the doing rather than on the how-to-get-to-do.
Best,
J
currently though, I write fanfictions so I can see how people relate to my stories
I'm Cameron Alexander, finishing my last year at UCSB in Film Studies. Been enjoying the site for a few months now.
I've done a few short films, you can check them out here: http://www.vimeo.com/cameronalexander
I love writing and it has completely dominated my social life the last couple years. I've finished 6 screenplays and hoping to have a total of 8 done when I graduate in June. I'm always keeping my eye out for contacts, good articles, and the ever elusive representation aspect of the industry.
My name is Hudson Phillips. I'm a film & comic book writer from Atlanta. I've just come across the site in the past few weeks and now read it daily, even going back and exploring the archives when I have the time. Excellent resource!
I've written five features – two of which were written with a writing partner & two others with TWO writing partners. One of our scripts was optioned by Lions Gate Films and later purchased by an independent production company. Even with the mild success, I still find myself at a day job which I hope to quit in order to write full time in 2010.
I enjoy writing high-concept comedy & genre-adventure films. Look forward to getting to know more of you!
Hi, I'm a writer from New York. I've written a couple of specs, novels and TV pilots and I'm currently studying screenwriting at the NYFA.
I've been following your blog for the last four months now, everyday and every possible hour of the everyday. Love all the wisdom you have for us novice writers. Thanks for it and keep those posts coming!
Josh James, screenwriter and playwright, among other things … currently in NYC.
Blog at http://www.writerjoshuajames.com
Wow, what a great collection of personal stories / backgrounds. This is what blows me away about online communities — since I've taught something like 35 online screenwriting courses and hosted this blog for over a year-and-a-half, I feel I've got a bit of credibility — that people from disparate places and backgrounds can find common ground. And for writing especially, which can be at times a soul-sucking lonely task, to be able to come to a place like this and connect with other writers, well… I'll try my best to figure out how to do more of that at GITS this year. Some comments (I'll have to break them up into separate posts).
@itstartedwithawindmill: Scott, you told your own story very well, even saving the punch line — your online moniker — for the end. Good instincts! I have a special fondness for the movie Breaking Away. It was one of the first three screenplays I read and I absolutely love the movie. It's great you met someone who works in The Biz who was a human being to you, and not an asshole. Plenty of the latter in Hwood, but also lots of good folks, too.
@Alex: U.T., Austin has one of the best reputations in Hwood. Also a big group of alums in The Biz, so you'll want to take advantage of that network. Re dark stories: I think your sensibilities are right in line with current trends. Consider the current Sherlock Holmes and Ridley Scott's upcoming Robin Hood — both of them what could be called "post-modern," darker and edgier versions of preexisting characters. Throw in The Dark Knight and other such films, along with the slew of dark videogames – you're in the pocket.
More comments:
@Dick Bonzo: I've often thought that of all the other areas of filmmaking someone could study that could best help them as writers – it's acting. In fact, just a few weeks ago, I posted this feature which highlights 10 actors who have gone on to success as screenwriters. And re the importance of story: I couldn't agree with you more.
@elephantburch: Interesting comment re Canadian prod co. You should do a search on the blog site using the key word "Banff" as I was up at the TV festival there last summer and interacted with lots of people who work for Canadian production groups. There's something of a renaissance going on up there witness shows like HBO's "Hung". So good luck on that.
@Justin: I'm sure you've discussed with your agent, but there are numbers to back up your interest in writing sci-fi. Check out this article which notes that 7 out of the top 10 grossing Hwood movies of all time being either sci-fi or fantasy. Moreover if your story concept lends itself to being a franchise, you significantly increase your chance of selling a spec. And as you well know, every studio is looking for a killer sci-fi franchise script. Here's hoping you nail it in 2010.
@cameron: Ah, UCSB. I lived in Ventura for about 4 years playing music, then doing stand-up comedy, all around Ventura and SB counties. Still stay in touch with some SB musicians. Sounds like you've caught the screenwriting bug. If you track back to some posts we've had recently about Malcolm Gladwell and the whole 10,000 hour / 10 script theory, it would seem you're on your way to plowing through that hoop.
@Hudson Phillips: Perhaps no other area as hot right now in Hwood than comic books, so you'd seem to be smack in the middle of all that. The thing with LionsGate is a nice break. Have you interfaced with The Cartoon Network / Adult Swim folks? They're based in Atlanta.
@Delson: I think it's great you've written all those different formats – novels, TV pilots, specs. Can only help your understanding of what's necessary to make a great spec script. How are you liking NYFA?
Again fantastic variety of backgrounds. Thanks for introducing yourself!
Howdy, I think I got this link from Billy Mernit's site several months ago.
I tend to be outspoken. I'm from Philly originally and will be an Angeleno in March.
I don't have a preferred genre but i tend to gravitate towards "heroic fare" in all genres.
I have a short in PreProduction and several others in the "wild."
I really stay here because there's always something to think about and comment on.
I was inadvertently dragged into blogging last week while exploring a friend's blog, and started one for myself thinking it would be more like an online diary. Except having to come up with something new and interesting to write each day once one is conscious of an audience makes writing suddenly self-conscious. Thank you for the writing tips, you're very good! I am a graduate student in piano pedagogy research and most of my writing is academic. I live in Calgary, Alberta. Canada.
Hi,
my name is Nikhil Vyas and I'm a screenwriter and TV writer based in Mumbai, India. I make my living usually writing reality shows and non-fiction television. Though still unproduced, I've written 4 screenplays in the past couple of years and hope this year will be the one when I can see one of those on screen:) I was involved in the online promotion and marketing of 'Aladin', a film that was an attempt by Bollywood to show it's CG and FX muscle. You can find more details of the film here http://www.boundscript.com
I come to this site not only for advice and some great tips, but also to study how writing and writers are treated in the West. Here, we are still trying to not just eke out a living (no percentage is ever given to writers) but also to eke out respect and acknowledgement. If you want to know how or why, read this
http://passionforcinema.com/the-3-idiots-mess-have-we-all-lost-it/
I'm proud of being part of a storytelling tradition that dates back to the great epics Ramayana and Mahabharata, but am also peeved at being part of a tradition of screenwriting where the writer is the most expendable part of the film making process. Things are changing now, though, and I think more so since a lot of us have access to sites like yours. You are our inspiration Scott. More power to you! And thanks
I found GITS when I was trying to write my thesis film script last summer. It was and still is very useful and inspirational.
I'm a wannabe filmmaker/director, living in the Bay Area (and New Jersey when I'm at school) and I was at a point where it was no longer worthwhile to turn on the camera and shoot. So, I pushed myself to get over my fear of dialogue and write.
I'm drawn to stories with fantastical elements, so sci-fi-ish stories. I'm a big fan of comedy too; just starting to think it's possible for me to write jokes!
I'm looking forward to 2010, the year where I complete my first feature script! Speaking of which, I better get cracking on the first act of my feature, due January 12th…
I'm Peter Dwight, a newcomer to LA, and I've definitely gotten the screenwriting bug from hanging out with friends who already work in the biz.
Being a missionary kid living most of my life in Taiwan I have a love for foreign films, japanese/korean abstract, and all asian entertainment. I'm a movie buff who will watch every movie, so with that continual life of film education, I am striving infuse that movie knowledge into my own work.
It's great to always hear how franchise-able sci-fi ideas are always desired, because that's the genre I love. Firefly type shows and long running japanese franchises always provide an amazing escape.
Thanks again to GITS and Scott for helping fuel creativity amongst its readers.
Hi Scott!
I'm new to your blog but not so new to writing. I pretty much grew up as a journalist. My husband and I relocated to LA a few years ago, and somewhere along the way I stopped being his editor and we started writing together.
We're working on our second action thriller now and we should be ready to seek representation soon. I lost my job nearly six months ago so I've been spending my time wisely!
I am also the managing editor for The Scriptwriters Network newsletter so I may hit you up for a contribution at some point.
Thanks for your blog; I really enjoy it!
Susan Bridges
Hi, I am April, a Los Angeles native. I am beginning screenwriter. I absolutely love GITS website. It is very insightful and as soon as I save up some $$$, I would love to take a screenwriting course through UCLA extension program. I have written a couple of shorts. Two of which I am producing this year. The 1st screenplay is about teen bullycide. The 2nd script is about 4 connecting stories involving a hooker, a workaholic, a elderly woman, and a transgender.
I would like to find a mentor to learn from and help me grow in the process.
"I'm a man of wealth and taste…"
(Sorry, can't help it whenever I hear the words 'introduce yourself'!)
I'm a Greek-American student currently living in Princeton, New Jersey. I got a B.A. in Religion with a focus on theology, and currently I'm training to become a math teacher. The plan is to try to get a teaching job in L.A. while working on my writing and developing industry contacts.
I got interested in screenwriting for three reasons: 1) my dad is a writer (short stories mostly, not screenplays) so we're always having great conversations about his stories, 2) I was fascinated by the effect movies have on me and wanted to figure out what makes them 'tick' and 3) I kept watching movies and reacting either with "I could have written it better" or "I could never write anything that good!"
I don't really feel I have any genre focus…I'd write a romantic comedy if I was excited about the story just as easily as a supernatural thriller or a martial arts movie.
But I do feel a tug mostly towards supernatural horror, especially religious supernatural horror, because there's so little of it out there that's good (The Exorcist…that's almost all I can think of). My dream is to write a scary, powerful horror movie that takes evil seriously but also has a nuanced reflection on the good side as well.
Thank you so much for your blog, Scott. I stumbled upon it by chance and I learn so much everyday. Thanks for being willing to share your wisdom with all us wannabes!
Hi, I'm Michele – from NYC, but living in Slovakia the last few years, teaching English and writing screenplays. I like small, thoughtful indie and European films, and that's what I'm learning to write. My latest is optioned to a Canadian production company and scheduled to shoot in November/December 2010.
I like the blog, visit at least once a day, and always find something to take away. My only, very mild, criticism is that sometimes it moves so fast and covers so much ground that discussion with other visitors is a little difficult! But just reading is great, and I'm happy to learn something about other readers, too.
A long time lurker from Burbank, working at a local production company. Was previously at a major studio in marketing department, where I got invaluable experience in learning how marketing works (and sometimes doesn't) as it intersects with supporting story and attracting an audience.
I've focused on writing screenplays for a couple of years, along with gaining a firm grasp of the cinema language. I'm looking to put together a series of shorts this year to build a reel, as directing is my ultimate goal. I wouldn't mind selling a spec, but I'm excited to just get my visual story on. I'm looking forward to making films that I write, as well as those that I don't write.
This blog has been really encouraging and insightful – helping me trust the process more as I learn the craft.
Very excited for learning and making stories in this new year!
E.C. Henry from Bonney Lake, WA
I've written 14 feature length spec scripts which I'm currently trying to sell. Did that in the last 6 years. Wrote an epic fantasy novel before that (1995-2003).
My favorite genre to write in is romantic comedy. Though over the years I've found I'm pretty fearless; I now feel I can write in ANY genre if I'm excited about the story, as I've written epic biblical adaptations, teen comedy, sci-fi/action with bits of horror, drama, and sports comedy.
I'm a die hard (NFL) Seattle Seahawks fan. And it sure is good to find out a little more about the rest of you.
I'm a lurker with a review blog on mainly period drama shows and books. Your blog is stimulating me to improve my writing, especially on how to write comedy because that seems to be the biggest hook next to thoughtful content (and SEO, asking questions, reader interaction, community networking, all that stuff)
Hi, my name is Zach and I am a writer living in Los Angeles, working at a talent management company to to pay the bills.
When I was struggling in college, wondering what I was going to do with my life, I did a semester abroad, and because friends were few and far between, I related many of my experiences in lurid details to my friends and family back home. The response was overwhelmingly positive and an internship that summer got me thinking about writing screenplays for a living…
5 years and 3 completed projects later, I have read and covered over 2,500 scripts, but have yet to crack that elusive bubble.
As someone whose life revolves around writing and then reading other writers' works, I am very deep through another how-to screenwriting book, which I am finding to be pretty good.
I sit in front of a computer all day and was prone bemoan the lack of great resources for screenwriters and want-to-be writers until I stumbled across this site.
Mr. Myers, you never patronize, and approach every subject with a level of enthusiasm and introspection that easily rubs off on the reader. Thanks for making GITS fun, philosophical, and informative.
Good luck to everyone in 2010.
My name is Mahmoud Samir
I live in Egypt. I'm 20. I fell in love with movies since I was 8. My first film to see was Snowwhite and Toy Story.
I love to write since I was a kid. I got into the screenwriting business since I was 16. Didn't finish a complete script till now. All attempts were failures.
Problem is I study in Commerce college which is tough and I can't focus on scripts enough because of that. (I can barely read scripts)
This is my graduation year, so I am looking forward to finish and work in this labor of love.
I think I am the one with the geographical situation were I am forced to write about my culture but in a universal way. If some one from Papua New Guinea read my scripts they should understand its themes and connect with it's characters.
Screenwriting is a challenge, more of a game. It's a tiring one too, but I know that if I win the game, victory will be so delicious.
Happy New Year!
My name's David and I'm a writer. 20 novels published, 15 radio plays and audio dramas to my credit, half a dozen non-fiction books published, scripted 40 issues of The Phantom comic, and a bunch of other stuff.
Back in 2005 I got serious about screenwriting. Did an MA part-time at Screen Academy Scotland, plus every other course or workshop I could find – script editing, story lining, team writing.
Spent the past two years focusing on TV drama, as that's where my real passion lies. Secured my first commission in the past six months, an episode of the medical drama Doctors to be broadcast on BBC1 in the UK next month.
Don't have an agent, a spec feature in my portfolio or a 2nd commission lined up – yet. Those are all on my To Do list for 2010.
Genre? I read crime fiction for pleasure, but great TV drama – stories that enthrall, excite or move me – can be any genre. Good stories, well told, that's all I care about.
Hey Everyone,
My name is Mike Scherer and I live in Raleigh, NC. I am a husband, father, and writer. I'm a great husband, a good father, and still working on the writing.
I have completed nine specs — mostly in the action/adventure and thriller genres — but yet to sell or acquire representation.
In the past I concentrated on fiction – have several published short stories to my credit – but crossed to the dark side several years ago to pursue screenwriting.
Keep Writing!
Happy New Year!
My name is Greg (22). I am a screenwriter from Hungary. I learn for 2 years. (Unfortunately my english language knowledge is not good).
I feel it that I am talented. But I cannot make good in Hungary
But i don't stop it. I read many scripts and some books (Syd Field – Screenplay * Chistopher Vogler – The Writer's Journey – 2nd Edition * McKee's Story Structure * GITS etc.).
I will learn English language and screenwriting in 2010. In this year I finish my scripts and I have it translated into English with an official translator.
Joe Eszterhas also Hungarian, but I don’t can to travel into Hollywood. Does an one living in Europe have a chance to sell in Hollywood? My stories structured and current.
What may an European writer make his debut with in Hollywood?
Wow, such a fantastically diverse lot here. I love it.
Well, me… I suppose if you've ever seen the movie "Son of Rambow," you'd have a fair idea. Take away the Britishness (alas), add a few more bears and wild animal craziness from the jungles of the Pacific Northwest, and you've got my childhood – hopped up on too much "Star Wars," running around making up little short films with my friends as ten-year-olds.
So I suppose I always knew I wanted to make movies. I've taken a bit of an indirect path to get there – working with kids and preschoolers, getting a BA in Sociology and Children's Studies for my undergrad, and now doing an MA in London about Children's Play. I found out some time ago, though, that there are artists who are conceptual – like Picasso, who know exactly what they're setting out to create – and then there are artists who are experimental – like Cézanne, who have to discover along the way what their goal is. For me, it's all about the journey, the discovery. I'm slowly learning to embrace the detours, and trust that I'll eventually get to where I want to be.
As far as the type of stuff I've written so far – there's been some comedy shorts (that I've later made), a couple feature specs in a similar vein to "Juno," then a historical adaptation, a sprawling melodrama, some kid stuff… it's all been great fun, and fairly diverse so far. I'm honing in on the kids' stuff as a place to really start professionally from here on out though.
I'm a professional journalist and magazine writer (also a published author)from Cocoa Beach, FL. I used to live in L.A. and worked at Paramount as a creative (marketing) consultant. My first spec script (a political thriller) got optioned in 2007 for $20,000. It has not been purchased. I sold the option without representation.
I'm now ready to go out with my second and third spec scripts — a crime drama and an R-rated comedy — after Sundance, hopefully with A-list representation. I have three managers that all sell scripts regularly to the major studios waiting on my scripts, which were my holiday gift to myself this year (I worked all day Christmas and New Year's Day to finish them both before the end of the year!
I am painfully aware of the current state of the spec market (one major agent I talked to two weeks ago declared it "dead as we have known it"), but I believe that a truly GREAT script — great title, theme, story, characters, setting, dialogue — will absolutely, positively sell to someone. And get you an agent, who can then get you writing assignments (which means you have to trabel to or movbe to L.A., obviously). But that happens on a fairly regular basis.
So, that's my goal for 2010 — move back to L.A. and/or make a real spec sale (hopefully at least two!).
GITS has been a fantastic discovery for me, a very valuable tool that I use every day. Thank you very much for all of the effort you have out into helping others. Much appreciated.
I would love to correspond and work with other writers at similar points in their careers. I can be reached by e-mail at jtwg50@yahoo.com.
@Scott: The series about independent distribution sounds great. I've certainly been reading a lot about it in the wake of two features. American Messiah is online in several places (iTunes, etc.), and while I do think we're on the cusp of something in terms of online distribution, I also think it's all about the marketing. If no one has heard of your film, the fact that it's available online means nothing…
Anyway, I'll be reading!
Oh – the promo trailer for Endings can be seen here, if you're interested: http://www.vimeo.com/3820227
Hello GITS-ers! I have been following this blog for about year – sometimes I comment – sometimes I don't, just depends if I am feeling opinion-y.
I hail from the Midwest; a Kansas City suburb specifically. I have been a content writer for a lead-gen firm for over two years. I basically write emails and direct mail content for higher education. It pays the bills but I am mostly passionate about TV. I have a journalism background (graduated from KU in'05) I want to write for either Conan or SNL. I love skit comedy shows.
I have been working on my craft for a year now. I took an extension class from UCLA, I had a different prof:) I learned a lot but need to continue honing my skills! I have finished a few TV specs and have submitted them to a couple of fellowships – nothing there yet, but this is my first year, so I have tons to learn! My favorite genres are comedies and dramadies. I like Sci-Fi but I think that I lack a vidid imagination to pull it off. I also love features, but don't know if I have the concentration to pull off more than 65 pages!
Thanks for the site Scott! I love the posts… looking forward to a great 2010 year!
I think I've been following GITS for about a year now, and though I don't always comment, I do find the posts interesting, helpful and entertaining.
I wear many hats including that of a writer. I do some freelance newspaper writing as well as some fiction writing, and my first novel will be published in 2011. I've always had an interest in screenwriting but have yet to complete a screenplay that I am satisfied with.
I'm from New Jersey and have also lived in Pennsylvania and Maine. I am back in New Jersey and temporarily living with my parents while getting back on my feet after a couple of financial setbacks.
First off, thank you Scott for all the great resources you keep posting every day & for creating a forum for aspiring writers to connect and learn, your blog truly is invaluable!
In the tradition of support groups, my name is Alain Dominic, and I am a writer. I've always been passionate about film and literature, but during the last 5 years have I really focused on my writing career and now pretty much eat, sleep and breath film and all forms of dramatic writing.
I have one solid action/comedy spec to show – "Dark Rum Chronicles: The Adventures of Nick Drama" (which actually got "considers" for both writer and project from WME's coverage)- and am working on another high-concept, Burtonesque type fantasy spec. Once that's in fighting shape, I'll be submitting to prodcos & management companies. Hopefully 2010 will be the year my career launches, so I'm super excited about the upcoming months!
I'm always blown away by people like Scott & other pros writers & execs who take the time to share their knowledge & experience with those of us up-and-comers.
In that spirit, I run my own screenwriting blog, "Confessions of a Dangerous Screenwriter" at http://www.monkeyversuskeyboard.blogspot.com, hoping to communicate, connect with and inspire other writers by sharing what I'm learning, what's been working for me and what hasn't.
Thank you again Scott for all your valuable time and insights, you are one of the best resources on the web for us aspirants!
Happy New Year to All,
Alain Dominic
I was born in Bulgaria, raised in Chicago, and studied film and sociology at NYU (and a great semester abroad in Italy). I wrote my first script in high school, and it was optioned for a while by a UCLA producing student.
At NYU I made wrote, directed, and acted in several short films and worked on a slew of others. I graduated in May and have been writing full-time since. I write short stories and non-fiction essays as well as scripts, and I finished my first novel this year. I'm trying to re-write a script I've been working on for a year now, as well as getting a few other ideas off the ground.
I love watching suspense thrillers, crime dramas, all kinds of drama, social commentaries, dark satirical comedies, horror comedy. Can't stand most romantic comedies and musicals.
Writing-wise, I like to write dramas, usually coming-of-age stories with atypical protagonists, and character-focused drama. I hope to expand my range to include large scale social commentary like Crash and Traffic, and great suspense, action, thriller, and urban films.
Hi, Scott –
Thanks for this chance to officially re-enter my life and the GITS reader-writer family.
My name is Judy and I have the distinction of being a previous online AND in-person student of Scott's. He is in every way as instructive, empowering and inspiring in class settings as online in GITS.
I'm a former journalist who moved to the advertising/PR side some years ago. I now live in Orlando, FL and have just made some rather huge resolutions related to professionalizing my screenwriting ambitions and behaviors. Step One was, in fact, skipping over my usual morning news summaries to get to GITS. I feel the good vibes rising already.
It's great to meet so many new people here. It's a most invigorating introduction to the magical year of 2010.
I live in Los Angeles. With a writing partner, I'm trying to break in to television writing; we just scheduled our first meeting with an agent. When we take a break, I tinker with a couple of features on my own. I blog about many different things including movies at the website of another guy named Josh.
Hello Scott, Everyone …
Thanks for hosting this Mixer … it's nice to be given the opportunity to connect with other writers with such an array of backgrounds.
My name's Matthew O'Brien. Currently living in Los Angeles. Moved here just over a year ago after I completed my MFA in Writing for the Stage & Screen at Florida State University. Earned my BFA in Acting from the University of Illinois at Urbana-Champaign.
To pay the bills, I edit video content for concert tours. So You Think You Can Dance, mostly.
I've written quite a few scripts in the last 6 years or so. Plays as well. I pretty much stick with Horror/Thriller, and often opt for a much darker, dramatic tone similar to what Alex at UT-Austin mentioned. Characters dealing with much deeper, pathological issues a la LET THE RIGHT ONE IN or CARRIE. Movies with mainstream concepts driving the story, but a tone that feels arthouse/independent.
I'm re-writing one of my scripts (a kidnapping thriller) on spec for a production company where I interned. They have a first-look deal at Sony, so hopefully that will lead to breaking in.
While I wait for notes from them, I'm developing a new script that's a throwback to the old Dirty Harry movies. Those gritty '70s cop action-dramas. And another Thriller that's, well, ENEMY OF THE STATE meets STRANGE DAYS … should be fun.
So my goals for 2010 are:
1. Secure representation.
2. Finish my spec script for the prod. company.
3. Have at least one script go out on the town.
P.S. – wrote a nice little short a few months ago and shot it in Vancouver while on an editing job. Feel free to check out the link:
http://vimeo.com/8132167
You can see me dust off my acting chops.
Thanks again for the Mixer, Scott!
http://www.facebook.com/matthewTobrien
Some more replies:
@Christian H: Good news re your short. That is definitely one approach to break into the business. As we noted last month, a 4:48 short landed directed an Uruguayan commercial director a seven-figure movie deal. Another success story: Sean Overbeeke won a Student Academy Award in 2006 for his short movie "Christmas Wish List," and is writing, directing, and parlayed that into producing the hit TLC series "18 Kids and Counting." Who knows where you short may lead.
@Ivea Mark: Blogging forces a writer to write, challenges them to come up with good content, can help them develop their own sense of writing style, etc. Good luck with it.
@Nikhil: Thanks for that background and your links. Clearly "Slumdog Millionaire" opened the eyes of many people around the world, including the U.S., to something of the cinematic tradition in India, but it still remains pretty hidden. Re screenwriters being the "most expendable part of the film making process": Sorry to hear that. You'd think given the incredibly rich lineage of stories in Indian culture there would be more respect for screenwriters. Is there a movement in India to make independent dramas ala the outburst of writer-directors in the U.S. in the 70s (Coppola, Lucas, Scorcese, De Palma)? The simple fact is it's virtually impossible to make a great movie without a great script.
@L.F.: Your areas of interest — sci-fi and comedy — are two of the biggest genres in Hwood. in the next week or so, I'll be coming out with my analysis of the 2009 spec script sales market, but almost positive comedy is the #1-ranked genre – again. And as noted elsewhere in comments, sci-fi and fantasy make up 7 of the top 10 box office grossing movies in U.S. history.
Salut!
I'm a writer-producer-director-actor from Canada, living in the LA area. I've just finished post-production on a feature film I produced with some friends/business partners and am working on a few work-for-hire writing projects as well as preparing to shoot a short film in a few months.
I'm an amateur competition kickboxer, rock climber, long distance runner and paleo diet enthusiast.
I like romantic comedies, biopics, quirky dramas, and action-adventure. My current favourite film is REDBELT.
@Peter Dwight: Ah, another "Firefly" fan! You might enjoy doing a search of the site for Joss Whedon, a personal favorite – lots of post re him. Given your background growing up in Asia, that gives you a leg up in theory on other American writers because of your unique life experience. My advice: Use that to your advantage!
@Susan: You know, of course, that Hwood has a longstanding tradition of journalists-turned-screenwriters stretching back to the 20s and 30s (Ben Hecht is a great example), so you've got a path cleared for you! Re The Scriptwriters Network: I'd be happy to write something. It's an impressive organization. In fact, I'll do a post on it within the next few days with a link.
@regretfreepsa (April): Please see my comments elsewhere on the value of producing short films. Both of your projects sound interesting, the second one appears to be an example of what is sometimes called "hyperlink cinema" — interesting narrative possibilities although tricky to pull off. Keep in touch with how those progress.
@JD Walters: As you may know, I got a B.A. in religious studies, then got a Masters in theological studies, so take comfort in knowing you're not the only person with an interest in things spiritual to go at screenwriting. In fact, Charles Randolph is a fellow YDS grad who's done very well as a screenwriter. Re your specific genre interest: Did you check out this post with William Peter Blatty, arguably the creator of the 'theological thriller'?
@michele: Congratulations on the sale of your script to the Canadian prod co. Any details you'd care to share? Fingers crossed it rolls 10 months from now. Re the speed at which things happen on this blog: When I first started, I made a conscious decision to do something different – not a post every week or every few days, but several times a day. Why? (A) It reflects my own personality – I'm by nature curious, a fast typist, and enjoy information. (B) As a writer, I like to take a few breaks over the course of the day, so a site like this would appeal to me – drop by occasionally during the day. (C) There's just so much stuff going on that affects screenwriters – somebody should be tracking it. But I do appreciate your point. Some folks have emailed to say they visit on the weekends and go through the whole week's posts. On the whole, I'd rather there be too much going on here than too little!
@Alexa: Did you see the series I ran on film marketing last year? The last post is here with links to the other 4 posts. As you well know, a movie with a strong story concept as well as strong visual major plot points can be a huge asset for marketing. Glad to have your perspective represented on GITS.
@E.C. Henry: One of the GITS veterans as well as many other screenwriting blogs, especially "Living the Romantic Comedy," since it's a special area of interest for you.
@Bah Bahrbahrossa (Zach): 2,500 scripts. I think you may have me beat – but not by much! If you do a word search on the site for "script reader," I think you'll be shocked at how often I've posted on the subject including interviews with a number of professional script readers. This one is a particularly good series. It's great you have a gig at a talent management company as you're at ground zero re Hwood action.
@Mahmoud: I admire your passion for movies and understand how hard it is to pursue something like that while study an entirely different subject area. As I said the other day, "Trust the process," and that can extend to the long-term approach to becoming a screenwriter. Learn what you can about people as characters while studying commerce. And always be on the look-out for great story ideas to work on down the road.
@David Bishop: Impressive writing resume. And no modesty necessary on GITS — allow me to promote you and your blog. Please keep us posted re your Doctors episode.
@Mike: Love that line: "I am a husband, father, and writer. I'm a great husband, a good father, and still working on the writing." You write dialogue that good, you'll be all right!
@Greg: Yes, indeed, Joe Eszterhas is of Hungarian descent. Re selling scripts to Hwood from abroad: It can happen, but the odds are likely even longer for someone 'overseas' than stateside. As with everything, it all boils down to the script. What about Hungary? Is there much of a movie industry there?
@Daniel: Given your background in children's studies, I think you're smart to focus at least a good portion of your writing efforts on that target demo. If you can nail a script that's aimed at boys, girls, but also can get their parents, then you increase that script's viability in a huge way — by doubling the audience (kids AND parents).
@john: Thanks for your background info. Given the fact you've optioned a script, you've got your foot in the door. And I concur with your sentiments: If somebody writes a GREAT script, it will find a buyer. Best of luck on your current projects – and please keep us updated on what transpires with them.
@Laci: A lot of students I work with are unsure about the type of material they want to work with, favorite genres, their own writing interests, etc. So consider yourself ahead of the game as you seem to have a good handle on who you are as a writer. Sit-coms and sketch comedy – always a need for those in TV.
Hello all, I'm a script reader who's lived in L.A. for about seven years and has been reading almost as long, if you count my time reading while working as a P.A. and a Development Assistant.
I've written several scripts, but I haven't sold anything and I'm not repped, so I sort of resist introducing myself as a screenwriter. L.A. is crawling with guys who call go out of their way to call themselves "screenwriters" but when you press them, you find they have only a half-completed spec to their name. (That's not a judgement on anyone here – just why at the moment I tend to introduce myself as a script reader who writes screenplays.)
I write a blog that is aimed at starting screenwriters, trying to warn them about all the newbie mistakes I see on a daily basis. I clearly don't have near the following of Scott's blog, but he's been kind enough to point his readers my way from time to time and for that I'm thankful. It's also good to recognize so many names here from comments on my blog and learn the stories behind the names.
May 2010 be a good one for all of you and all your careers.
@Alissa: One of our GITS 'veterans'. I didn't know about your novel! That's great news! What's the story's premise? In the future, please feel free to brag about your successes on GITS. We love to celebrate any writer's 'victory.'
@Alain Dominic: Another GITS vet. People should definitely check out your blog – good stuff going on there.
@Violet: That's an impressive range for your various writing projects. And special congrats on finishing your first novel. I've known several screenwriters who have crashed-and-burned when attempting to pen a novel.
@Judy: In all honesty, it's due to people like Judy that I started this blog, a forum with which to stay in touch with my students. Glad you survived this last year intact – a trying one. Hope to see your talent percolate onto the written page again.
@Josh K-sky: Good luck with your agent's meeting. And I'll be sure to check out your blog.
Well it's time to chime in….
I've certainly enjoyed reading all the mini-bio's here. You folks are all inspirations, to be sure. But I imagine that's what keeps us coming back here day in and day out (or is it "hour in and hour out"?!)
I'm Jeff Messerman from the tundra that is Wisconsin. I've been at this game for half my life, finding Syd Field's book in 1990 or so and steering my existence into a screenwriterly direction ever since.
Worked with a writing partner for a few years, made it to Hollywood, had representation for about 20 minutes, panicked, and fled back to Wisconsin. In response to this glaring failure, I thought it would be best to get married and have 5 kids.
And here the seven of us are.
Two of my scripts made it to production by an indie outfit from Chicago… my funeral home comedy "Good Grief" and my silly Woody-Allen-Meets-Telepathic-Medium-Sized-Invading-Bugs-From-Space film "Spiderville." Both languish with the director, having yet to see the light of day (though I have the rough cuts and, in some ways, just SEEING THEM has been satisfaction enough…)
Not sure where to go from here. I have an offer on the table to direct one of my scripts here in 2010… not sure if I'm doing that yet. With 5 kids in the house, 2 of which are 1 year old twins, I can't even get away to see AVATAR for 3 hours, let alone scamper off to make a film. (though I hear AVATAR is best enjoyed on a 13 inch black and white TV so I'm set… heh heh)
I've been hammering out a novel for about a year now and it's actually starting to take shape, which is exciting. Either way, if I never write another script again for the rest of my life (something I promise myself every other day), I will always be here at GITS.
I submit that whatever creative endeavor trips your trigger, Scott's site contains infinitely valuable information and inspiration. In fact, I had such negative feelings regarding my work for so many years that I can honestly say this site "saved" me, so to speak. It taught me that no matter what happens to our little flights of fancy, produced or shelved, completed or deleted, the act itself is worthwhile and that should always be enough.
Nice to meet you all!
Hi!
I'm Laura. I'm married with 3 dogs. I live in Monterey County, about 10 miles inland from Big Sur. I'm originally from the San Fernando Valley, outside LA.
I first tried SWing way back in '91. Wrote on & off… mostly OFF… for several yrs. I mostly wrote small Indie crime stories back then. Decided to finally take it seriously a few yrs ago. Been working on improving my skills ever since.
I just finished a script which I think has some potential. My big goal for '10 is to get repped & start my pro career. I'm currently writing in the Action/Fantasy/Thriller genre(s).
Wishing everyone good luck in the coming year!
My name is Philip Prince. I recently graduated from Northeastern University. I wanted to be a screenwriter after joining the rotten tomatoes show on current tv/current.com and upon noticing that all college movies don't really reflect the lives that college students currently live.
Plus I have massive amounts of other ideas on paper but not screenwritten that I plan on tackling this year.
@Scott: Thanks for the encouraging words. Yes, there is an outburst of talent in India, filmmakers with distinct voices making a new type of movie other than the traditional Bollywood stuff. You'll find them all here are http://www.passionforcinema.com, in the 'Exclusive Author Lists'.
But then, that's a universal phenomenon, right? 
Do catch some of the movies I listed. You will be surprised 
Anurag Kashyap reworked a classic Indian novel to suit modern tastes with a drunk Devdas becoming a self destructive, drug-addled and thankless 'Dev D' http://www.imdb.com/title/tt1327035/
Navdeep Singh paid homage to 'Chinatown' with his modern Indian noir film 'Manorama 6 Feet Under' http://www.imdb.com/title/tt0920464/
Dibakar Bannerjee has made a personal favourite slice of life look at a con-man 'Oye Lucky Lucky Oye' http://www.imdb.com/title/tt1292703/
Shimit Amin (and screenwriter Jaideep Sahani) came up with the best Indian film IMO of 2009 'Rocket Singh: Salesman of the Year' about a simple, honest college freshman who takes to the cut throat world of corruption in marketing and sales and turns it on it's head
Pankaj Advani came up with a hilarious caper set in a gritty, grimy Mumbai 'Sankat City' http://www.imdb.com/title/tt1252614/
and Sujoy Ghosh started it all with the first 'mulitplex' hit 'Jhankaar Beats' way back in 2003 http://www.imdb.com/title/tt0347278/
These are a handful of my personal favourites, but the problem is all of them face the overwhelming and inescapable influence of Bollywood. To make indie movies in India is twice as tough since we do not have a support structure like Sundance or anything of that sort to encourage such movies. Most indie makers are trying to find a middle point between commercial song and dance and what they want to say in making their movies. It's a long hard road, and we're rambling on
But passionforcinema.com is a good place to keep checking on the cool things going on in the indie market in India.
And the rich storytelling lineage works against screenwriters since everyone in India thinks they are writers themselves! We've been surrounded by so many stories all our lives, it's hard to separate those who are writers, and those who can just about write
My name's Sean. I've been at this screenwriting thing a while now. I've had numerous scripts read by agencies/production companies. One actually seemed to have a director interested.
Ultimately, though, it's been "no dice" as far as an actual sale goes. Still, I'm addicted to this screenwriting thing.
See, I see screenwriting as literature. Seriously. If Shakespeare were alive today don't you think he'd at least TRY to give screenwriting a crack?
Love the site, btw. Good stuff.
Um… Thank you, Scott…
Hello, my name is Stefano and I’m a writer.
I really appreciate everyone here sharing something about themselves. That makes it easy for me to share as well. It makes me feel that it’s okay, that I’m not alone.
I see that some of youse are doing pretty well, with the coping and all. And after reading some of your comments, I really think that there’s hope for someone like me. I really wanna believe that too. But that’s not so easy for me.
See, I used to hide the writing. I did it behind everyone’s back and I hid it pretty well. I mean, you talk to anybody, anybody that ever knew me, and they’ll think you’re crazy if you told them I was a writer. I never even got any ink on my fingers. Never!
I remember one time, I think I was eleven or twelve, my mother saw a few papercuts on my hands and got real suspicious. I was scared she'd try to cure me, so I covered up for it by saying that I got 'em while I was masturbating. Yeah, I told her that I was jerking-off to some magazines I found in the spare tire compartment of my father’s car’s trunk. That shifted her suspicion away from my writing right away. The magazines never surfaced, but both my mother and my father suffered from their own papercuts. You know, divorce papers and all.
Like a lotta youse, I’m sure, my problem caused a lot of people who cared for me a lot of sorrow at first, but as I got older I learned to devise better cover ups. I also got better at disguising the writing itself. Shit, I got so good at covering it up that I don’t even need a pen no more. I could be writing right under your nose and you would never be the wiser. I did it all the time…
Fuck! Who'm I kidding, I’m doin’ it right now. I know, it's part of the healing process, but… I'm sorry… Fuck!
Hi Scott, Thanks for the invite.
I'm Joe King from Seattle, where I've spent 25 years in software–notably at Microsoft (twice) and Amazon.com.
I'm also in the UW Screenwriting program this year, where I'll be completing my first script. I haven't yet fixed on a single genre going forward: I have story outlines in thriller, rom-com, comedy-satire and children's movies.
Since I'm clawing my way up the 10,000 hour mountain of mastery, I've been looking for ways to shortcut the switchbacks. Your site is one of them: Condensed received wisdom from many sources on many topics, along with prompts for finding wisdom on our own, both accelerating the gaining of "experience."
Thank you for the range, frequency, passion, patience and respect that you bring every day. You've created an invaluable resource for us, your readers.
@Matthew: Live in LA, work in the industry, have a connection to an established Hwood prod co. You're right where you need to be – just need to nail that special script! Re editing: You might be interested to look at this post which discusses editing & screenwriting. One of the best books on 'screenwriting' I've ever read was by noted editor Walter Murch, something I get into in the post.
@clubfritch: Congrats on finishing up your film project. Care to share any details with GITS readers? Amazing how many Canadians work in the TV/movie business in Hwood. Here is a list of movie actors with roots in the Great White North. Here's hoping you add your name to the list!
@The Bitter Script Reader: Greetings, TBSR, and Happy New Year! I have a special spot in my heart for script readers as they have one of the most important yet thankless tasks – reading and covering the 25,000+ script submissions Hwood receives every year, most of which are not so good. For those who haven't visited TBSR's blog, get thee hither: The Bitter Script Reader.
@Jeff: Whenever you remind me that you have 5 children, I get a bit woozy. A pair of sons has kept me on my toes. The thought of 5 – including twins! – well, let's just say I bow in deference to your most excellent paternal instincts! Best of luck on the novel and the possible directing project – keep us posted.
@Laura Reyna: Here you've been a GITS reader for all these months, and I had no idea you live in such a splendid part of CA. My wife and I spent the first 2 nites of our honeymoon in The Ventana Inn (my folks paid), the next two nights at The Ripplewood ($55 per night / we were broke). I still remember eating dinner at The Nepenthe under a massive starry sky. Good for you to live amidst such beauty!
@Escarondito: The Rotten Tomatoes show on Current TV? You mean this one? Love the show. Hope the recent management changes at Current don't negatively effect the show. What's your involvement with the series? Re your point about college movies: Even though I'm a Baby Boomer and my only current connection to college is teaching there, I would have to concur. Been watching a bunch of John Hughes movies with my oldest son (college student) and he's said that these movies, produced in the 80s, are more relevant to his peer group than anything w/ supposed college ties made today.
@domremy3: Having been read by agencies and prod cos, that's a big first step. You have those contacts, so when you write that killer script, you know exactly where to go with it. Re Shakespeare & screenwriting: That's a really interesting idea, one that never occurred to me. If you browse through archives, you'll see a number of posts about how screenplays have evolved over the last 2 decades – away from the directing lingo laden docs of the past to much more readable (I even call it 'literary') style of today.
@stefano altieri: It's hard enough to write. To do so under the type of circumstances you describe, so much the harder. Hopefully in 2010, you can bring your writing out into the 'light,' and let yourself enjoy it for what it is – getting in touch with your unique creative potential. Know this: You're welcome on GITS.
@Joe King: Thanks for your kind words. There are several GITS readers from Seattle. I wonder if there's a writer's / screenwriting group there? I'll be posting something later today about The Scriptwriter's Network and asking GITS readers for other writing groups. Might be something nice for you to explore – writing is such a lonely experience, finding a group of other writers with whom to share ups and downs, and especially read and comment on script pages can be invaluable. Good luck with the writing!
Hi everyone. I've just found this blog. What a wonderful corner of the internet.
I'm Andrew, 35, father of 4, from Montreal. I'm currently living in France, only a short bicycle ride from the borders of Germany (where I get my groceries) and Switzerland (where I go to work each day).
Screenwriting is a hobby for me. I wanted to be a director when I was a kid. I studied film in college and made an artsy short. Seeing it at a screening convinced me not to pursue a career; I realized I had no real stories to tell. I told myself I would try again one day, when I had something to say.
Here I am now, full of ideas. There are so many little stories running through my head that sometimes my kids have to remind me not to talk about my characters as if they are my friends. Turns out, they're not real, actually. Which is irritating. 'Cause I like them.
I've made 2 shorts in my spare time, in the last 5 years.
The last short was made among friends. I wanted to fully live the fantasy of being a director, so we went out of our way and had roads closed for shooting, set up catering each day, made posters, rented a hall for the premiere. The movie that came out of it is nothing special, but the making of video is great fun and we still have the posters.
My 'crew' of friends are ready to make another, anytime.
So, I'm working on another. First draft script was done in October. I can feel a major rewrite coming. If all goes well we'll shoot it in May.
Like the last two, it'll be self-written, self-produced, self-directed, and self-watched.
For a laugh and some good times, it's worth the trouble.
@mycatsam: From your description, I would be willing to wager there are plenty of GITS readers who would swap lives with you: France, Germany, Switzerland, writing and directing short films as a no-pressure hobby. Reminds me of what Joseph Campbell said was the moral / point of The Hero's Journey: "Follow your bliss." Nice to have you drop by and hope you become a regular GITS reader.
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Former driver/assistant/d-boy for (gulp) Joel Silver. Left in 2000 to make my own mark. Had some heat on me as a writer when I optioned the film rights to a pretty famous graphic novel and adapted it for the screen. Unfortunately, a medical issue in 2002 took me away from L.A. at the peak of the excitement, and the momentum was soon gone. While convalescing, I co-created (with my non-pro wife) an animated TV series pilot called CHELSEA TAP (completely homemade in Flash for $45 – 5 segments linked here http://www.youtube.com/watch?v=2M_HzF2vyYs ). After a too-long sabbatical, I'm back in L.A., and about to unload SHUFFLE, my first new spec in 7 years. I love this friggin' blog.
Hey everyone! I'm Paul Sanford from Raleigh NC. My coming-of-age script made the Nicholl QF last year, now I'm working on a comedy that's (hopefully) a little more market-friendly with the goal of getting repped this year. Writing a great script that fires on all cylinders is such an elusive task that it's nice to have a site like GITS for insight into the craft, inspiration (and sometimes procrastination). My role models for the creative life: The Beatles. Here's to 2010!
I've been reading this blog for a couple of months now. I really appreciate the insights and discussions here – and I'll keep coming back.
I'm from Norway (yeah, we make movies here too!), and I'm currently writing my second screenplay, in collaboration with my writing partner. Before trying my hand at screenwriting I wrote for the theatre. Three produced plays, and a handful of unstaged ones.
I've studied film at the local university, and my thesis was on narrative structure i "twist-movies" (e.g. Sixth Sense, Usual Supects).
Our first screenplay was a horror story, and our current project is a viking saga (of course). My current dayjob is making educational films on cultural history.
Happy New Year everyone!
Name's David, aka Daveed. I'm a NYC writer. Interactive copywriting, that's the money job.
As for film, I'm in the first-draft home stretch of my feature screenplay Dead Andy. And this spring I'll be getting my Certificate in Screenwriting program at the New School.
Bunch of (unfinished) scripts and stories are in a drawer somewhere.
I'm a career jumper: first international affairs (DC and Eastern Europe), then copywriting, now (hopefully) screenwriting. Next, I dunno, handing out strip club leaflets or something.
I've acted in one Midnight Madness short a few years ago
Cheers.
@joetesora: Having worked as an asst to Joel Silver, I think it's safe to assume that you have proved you will survive any future apocalypse! Re animation: Of all formats, that to me seems the best way to do it as a writer-creator because you can do it all yourself, put it on YouTube, and hope the right set of eyeballs sees it (ala Beavis & Butthead, South Park). Good luck with "Shuffle."
@Paul: Interesting to note that the Triangle has two Nichols winners: Jeff Williams (2009, Fellow, "Pure") and Whit Rummel (2004, Finalist, "The Secret Boy"). Maybe you'll be the third to join them!
About 9 years ago my wife wanted to change careers. She was very interested in film and had a good eye for photography. I suggested she look into cinematography and so she attended UCLA. I also had friends in the biz and was able to get her some gigs on shorts and whatnot. Word of mouth got her more business and she expanded her services to include post and Steadicam operator. I always had an interest in film so now I live vicariously through her.
@Cameron Alexander: Would you please email me: scottdistillery@gmail.com? I'd like to feature a couple of your short films on GITS and want to know which ones on VIMEO you want to promote. Thanks.
Hello Scott!
In Hungary are not "producers". Everybody waits for the support from the Hungarian state. We meet more "producers" because of our projects. We received favourable feedbacks, but they help if they win the support.
This only a problem in Hungary (in Europe)…
I see a bigger chance in Hollywood because of this.
It was told before with years, an "anonymous writer" may be knocking with a perfect script in Hollywood only. Really? And a perfect 16-24 sides of treatment? Or outline?
Have a nice day!
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I'm a bit late to this post, but what the heck. I'm writing my first spec script and reading a lot of scripts.
Can't get enough of this site. Great tips and discussions.
I've been taking screenwriting classes at NYU. I live in NYC.
I'm just getting into the second draft on my spec script. It's amazing how all the things I've learned so far are finding their place in the script in this draft. Here come the sub-plots. Tightening up the tone. Adding details relevant to theme. Making my protagonist more complex and interesting. I fear that last one is a classic gaffe. So easy to leave your protagonist a regular, nice guy without major conflicts. Uh…just like me? Boring.
Hey All,
So touched by everyone's intros. I am super late to post here, but what the hell. I am always game for a Patron Margarita any day.
I was one of Scott's students a couple of years back through UCLA. Scott helped me tremendously with my rom-com baseball script that I have since sidelined, but he put as much attention to his class as he does to the blog. His approach to a script is the same – uncover every noon and cranny of your character and you will have your story and it will flow from you like a tsunami. I currently live at the beach in Jersey at the bottom of the tip of Sandy Hook and enjoying the view of the bay as we e-spit. Writing a thriller is new for me. I just have to tell the story of an unworthy hero…
I am so glad I found Scott's blog and happy to be here.
Janie